A million years ago, in a time of much healthier knees, I did triathlons. If you’ve never stood next to me, I’m 5’10” and built like a refrigerator, so when I tell you I did triathlons, I did them slowly, and I did the shortest distance class: a sprint, which is usually about a half-mile swim, 15-mile bike, and 3.1-mile run. I could do one in about two hours. Competition in these things is often by age group, but because I’m no pixie, I competed in something called the Athena division, for female athletes over 165 pounds. (Lest you were curious, the men’s division, for athletes over 200 pounds, is called the Clydesdale division.)

When you go to a local sprint-distance triathlon, you see all shapes and sizes. You see weekend warriors like me. You see the more ambitious amateur athletes, really going for it. And you’ll often see a few pros that are doing a little sprint to stay sharp, or begin a season, or test the waters recovering from an injury, or maybe just there to inspire their local triathlon club. There are prizes, pizza and beer at the end. It is an absolute hoot.

One of the many things I love about dressage is what I loved about local sprint-distance triathlons: There’s a level, and a competition, for everyone.

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Cadeau, my top horse, has weird feet. They’re small and a little upright, and like everything that comes from Europe, he struggled a bit to adjust to the concrete block that is the ground in a Virginia summer. One of the 10 million reasons I use my excellent farrier Sean Crocker is because he believes in the team approach: He listens to my also-excellent sports medicine veterinarian Dr. Cricket Russillo, and he listens to me when I tell him how the horses are going.

So when he said to me, “Sprieser, Cadeau’s feet are making me nervous, and I want to make sure I’m doing the best for him. Can we get a consult in Wellington with one of the best farriers on the planet?” of course I agreed.

I grew up far away from the equestrian centers of our country, finding my love for horses at local barns and then graduating to competing at the national levels. But I left for a reason, and that reason was that international-caliber training and horse management was much harder to find there. Going to college on the East Coast and spending time in elite-level barns there blew my young mind, because I didn’t even know how little I knew.

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Sometimes my team and I are really rolling, with lots of horses and humans showing and getting somewhere and grinding it out. Other times, the youngsters are all youngstering, and I didn’t book a lot of clinics in January and February because the weather usually stinks, and we’re mostly just logging miles and waiting for something to happen. This is one of those times. But it’s meant that I’ve had time—time to go and watch the warmup at the CDIs, time to get caught up on office work, and time to do some continuing education.

One of those opportunities was Lendon Gray’s Training4Teaching program, which offers free lectures by extremely credentialed people about teaching riders, a topic we don’t talk enough about in dressage. (We say lots about horse training, but not enough about human training.) In addition to some great pearls of wisdom from a whole panel of excellent instructors, Lendon also assigned us some homework: to develop a “Rider Training Scale” to mirror that which already exists for training the horse.

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We’ve all been reading about the sales of international Grand Prix horses to new riders lately because, in order to qualify for an Olympics under Fédération Equestre International rules, a horse has to have at least one owner of the same nationality as its rider by Jan. 15 of the Games year. That deadline was Monday, and many investors both in the U.S. and abroad have made major purchases in the past month or so to bolster their riders’ chances of securing an elusive team spot.

The people who sponsor riders are amazing, and we can’t be grateful enough to them. This is a wildly expensive sport no matter how one does it, and having help along the way is critical for those of us trying to do it, and do it well. Lessons, clinics, sales commissions—those are just so rarely enough to support a horse at the top levels, particularly if you have to take time off from that teaching/riding day job order to campaign that horse.

I hope that everyone who has acquired a finished Grand Prix horse for this year achieves their dreams, and has a long, sound and healthy relationship with that new horse. I hope our riders earn medals, and our fans are inspired by excellent horsemanship.

And I also hope that at least one will be riding a horse they made themself.

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In Lauren’s Magical Universe of Joy and Rainbows, when I sell a horse, I get to take all that money and go get a new horse or two. While I don’t do sales for a living, and I don’t buy horses with the goal of resale, sometimes the young horses I bring up the levels don’t get far enough up the levels, or don’t get me to my goal of big, hairy, international things, and that means they get to be schoolmasters for other people. And then I have a chunk of change in my hand.

And yes, I get to put some of that into whatever critter comes next. But unfortunately, adulting is a thing too. So at least some of those funds need to go to other things. Let me introduce you all to my annoying friend, Deferred Maintenance.

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One of my favorite things about dressage is that there are so many ways to play. Schooling shows, recognized shows, little local ones, big hairy international ones, everything in between. There’s room in our sport for the person with the day job who are weekend warriors with their rescue pony, and there’s room in our sport for the independently wealthy with time and resources to ride at the top level. There’s room for the professional who teaches people how to do their first tests, and there’s room for the professional who brings them to the international ring. There’s lots of room.

But I’ve always felt that dividing classes by rider occupation was a silly line in the sand to draw. The working students of the world who come to their jobs not knowing much more than how to put their horses on the bit have to compete in their first-ever first level test against me on something with international ambitions, and that seems unfair. The weekend warrior on the pony has to compete against the amateur who’s made Grand Prix horses and is starting anew with something young, and that seems unfair.

And yeah, it’s just a ribbon. At the local shows, I don’t care, but some people do. And at the regional and national championships, a lot of people do. For some riders, that local show is their regionals, or their nationals or their Olympics.

What if, instead of dividing classes by rider occupation, we divided them by level of rider experience?

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