Between Michael giving a clinic at my place a few weeks ago, our Regional Finals two weeks after that, and Devon two weeks after that, I am really inspired right now. All the horses in my program are going to be FORWARD, they are going to be ELASTIC, they are going to be CONNECTED, they are going to go in SELF-CARRIAGE, and they are going to do all those things NOW!

Johnny is thriving. Danny not so much.

Ella is on a post-horse-show vacation, partially aided by my being in Michigan this weekend teaching a clinic, and at our BLM Championships much of next week; she’s doing light work in the snaffle, hacking in the field, and eating grass.

Hurricane is continuing to make progress towards being a Good Citizen with my Assistant Trainers/Baby Wranglers Natasha and Lisa, and he’s mostly getting it together and not doing anything all that interesting.

Dorian, who has been on an absolute roll, horse shows next week, and as such I’m focused mostly on test prep and stringing movements together and less on the capital-W Work. Which leaves Johnny and Danny as the focus of my enthusiasm. Poor dears.

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Devon and I, we go way back.

We go back to 2005, where I did win the Young Rider freestyle on a very, very big score, after nearly getting my rear end dumped in the ring at least once in the Team and Individual Tests. Then there was 2006, when Billy ran backwards almost all the way from X to the ingate at A (comment at the end of the test from Anne Gribbons: that I was “tactful, brave, and not influential.” Love it.)

In 2009, Ella completely froze and shut down in a fourth level test, earning a whopping 48 percent, and Cleo bit her lip panicking in her stall when I took Ella out to show her and I scratched. And in 2010, Fender’s stall flooded to the point of standing in fetlock-deep water, and the footing was so horrendous due to weather that I took him home without ever even riding.

So Devon and I have not always been friends.

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THREE MONTHS BEFORE: Natasha, one of your assistant trainers, asks if she can join her family on a vacation for a chunk of time that includes Dressage at Devon. It’s not great timing, but you’re well staffed at home, so missing one person won’t be a disaster.

TEN DAYS BEFORE: One of your working students decides to quit and, having apparently been raised by wolves, also decides that you’re not owed the courtesy of two weeks’ notice, and she’s leaving the day before you head to PA. That leaves you with three people to care for 17 horses. (The response of those three people, by the way? “No problem. We got this.” Love them.)

THE SUNDAY BEFORE: Get a phone call from the man in your life, where he tells you that he’s running a 102* fever and feels like he’s been hit by a bus. Take everything with zinc in it in your medicine cabinet.

TWO WEEKS BEFORE: Out of curiosity, when was the last time you practiced the Grand Prix Special? (June, 2015). Do you know the Grand Prix Special? (Nope.)

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For all intents and purposes, there’s three reasons I show a horse. One is to win, or at least to do as well as I possibly can. This is the end goal, when I’m ready, when the horse is ready, when we together as a pair have the experience to do what I want to do, and an end game in mind. The second is to increase the value of the horse—horses need competition scores to prove their worth, or for sport predicates or breeding achievements. And the third is to help a horse (or me!) gain experience. I take my baby horses to shows as kids not because I’m expecting to be World Champion of Training Level, but to give them a taste of their future. And I take them out later, when they’re more finished but not yet Finished, so that I know what they’re like to ride in the ring as adults.

As a trainer of horses, I’m always thinking about The Plan for any of the horses in my care that I’m developing. Of course I want them all to become the best they can be in the long run, short run achievements be damned, so I don’t tend to compete them much at First and Second and Third and Fourth Levels. But I also know that the reality of this business is that I might need to sell something at any time, and so when they’re ready to do so, I build them upper-level show records, so they’re as valuable as I can make them.

Read the rest at The Chronicle of the Horse!