Man oh man, 2021 had some cool things in store for me. The trio of horses I’d spent years developing, The Elvis Syndicate’s Guernsey Elvis, my mom’s Helio, and my own Gretzky, are all 2011 babies, so they were all 10, all touching on the Grand Prix things, all really solid in their understanding of The Rules on life and dressage and the program.

Elvis showed it first, and Helio after that, and Puck is really close. And they’re not only extraordinary athletes, but they’re all known quantities to me; they’ve been my friends and partners for so long that we speak the same shorthand, and our work together is productive and efficient and based on a deep mutual friendship and trust.

Now it’s 2022, and I’ve made Helio and Puck into such good horses that it’s time for them to move on. The choice to sell both was a bear, but Helio’s job was to be for my mom, and they just didn’t click. For Puck, my brilliant little weirdo whose greatest days are yet to come, I can’t justify the push into the international ring when I’m bearing the total cost myself, and when Elvis is equally extraordinary but with expenses I get help paying. Helio’s sale was quick and efficient, to a wonderful rider who’s a part of my circle, and so he’ll stay in my life. I’m now embarking on the journey with Puck to find his next tall, hungry human; he’ll require the right person, but he’s gorgeous and powerful and beautifully educated and has been well cared for. His next lucky person will find him soon enough.

And I’ll be starting over.

… ugh.

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Pics Of You photo

The reality of life with horses is that, while it would be lovely to have every horse that comes into your life be The One, selling horses from time to time is an inevitability—certainly for those who do this for a living and for many who don’t as well. Maybe the horse is not going to be what you need them to be, or maybe you’ve taken him as far as you can go together, and the horse is ready for his next person, or maybe it’s just not a good marriage.

Whatever the reason, your first step is to determine a price tag. How do you determine what a horse should cost?

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Joanna Jodko photo.

It’s the beginning of a new year, and for those of us with horses, it means thinking about what we’d like to achieve with them and mapping out how to get there. Show calendars are online, and I put together a schedule for where my group of riders might go to show. There’s qualifying criteria for the various regional and national-level championships, including lists of shows for those championships that are dedicated qualifying events. And there’s the long, hard look in the mirror about where a horse or rider is at this moment and what reasonable progress might occur between now and that first show, to set a realistic goal for the season. Here’s how we do it at my house.

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I took you all through the insanity of the past few months in my last blog. Now join me on the past few weeks: our trip to our winter location outside Wellington, Florida.

This is, I believe, my 10th consecutive winter in Welly-World, so I’m not a rookie. But this year is different on a few fronts. While we’ve taken more horses every year, this is the first year where we’ve had so many going—and so few left behind—that we decided to close my Virginia operation down. This required a lot of shuffling, to get our handful of non-Florida-bound horses to their winter gigs, and a little creativity with my staff and where they were going.

This year is also different because it is the first at a new facility for us: Perfect Cadence, bought this spring by amazing longtime clients and friends. It’ll be amazing; they’re committed to turning the farm into a world-class facility with a covered arena, substantial turnout, a hacking path around the whole facility and more. The problem? Between all the challenges of getting plans approved by Palm Beach County and an HOA under normal circumstances, plus the joys of building during a global health crisis, we are pretty much nowhere. We have the existing farm, which is perfectly lovely, but we’ve never been there before, so everything will be a first-time experience.

But we have a plan. First, the great exit, in stages.

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Folks, it’s crazy time. Autumn is always a little nuts, but… well, let me show you.

Let us begin in OCTOBER. Activities include the GAIG/USEF Regional Championships (amazing and educational); a clinic at my farm with my fantastic friend and biomechanics expert Suzanne Galdun (amazing); and attending the U.S. Para-Dressage National Championships (educational).

My assistant trainer, who is newly engaged, gives me her notice—a surprise, since we’d originally planned on her departure after Florida— leaving me scrambling. It’s OK; I’m at my best with my back against a wall. And sometimes the universe hands you what you need: Three days later I’ve hired Sam, who’s both a beautiful and experienced rider, and while she’s never taught before, she’s got the right temperament and intellect for the job. And I like teaching, so I’ll teach her how to teach.

It remains a good thing I’m at my best with my back against the wall, because I also get fantastically unloaded off a young horse and earn myself my first concussion. Naturally, I do not tell anyone and just casually teach in sunglasses for the next few days. The timing is good because everyone hits pause on their lessons this time of year. I’m fine. Everything’s fine.

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The U.S. Dressage Finals is one of my favorite shows, for a few reasons. It’s a big-deal show, at a fantastic venue. The team that runs it is the All-Stars, the best of the nation’s various show management companies all coming together. It’s a great way to get the young horses some mileage in a big environment, and success here is a nice feather in your marketing cap. But none of those are the biggest reason I love the U.S. Dressage Finals. Let me explain.

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I’ve been home from the U.S. Dressage Festival of Champions for a week, and this is the first time I’ve had five minutes to actually sit down and write about it. I am so grateful to my awesome team for letting me sneak away for a week, and for letting my head be 100 percent in the zone while I was there and for the week or two before. But the penance for that, of course, is now being screamingly behind in my office work, up to my eyeballs in lessons and riding, and generally being a bit insane.

But I’ll pay that toll every time, because the big shows are where the magic is.

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Huzzah! I’m qualified for the U.S. Dressage Festival of Champions. I’ll ride The Elvis Syndicate’s wonderful Guernsey Elvis in the Developing Grand Prix Championship, for 8- to 10-year-old horses at the Grand Prix level. It’s a big deal, and it was my big goal for the year. Mission: accomplished.

But now that I’m qualified, I have to, you know, go.

I’m in the middle of a four-week gap between my last outing and the championships, and I’m making the most of that time to get Elvis and I as ready as possible. He had a little downtime after that show in July, the last in a long slog of competitions. I’ve spent this entire spring and summer addressing his fitness. As I’ve mentioned before, Elvis isn’t a super hot horse by nature, so I’ve needed to make a concentrated effort to increase his conditioning. By the time we leave for the Festival of Champions, being held Aug. 24-29 at Lamplight Equestrian Center in Wayne, Illinois, he’ll be walking five days a week for north of 40 minutes, up and down my Virginia hills, in addition to his daily dressage work.

But there’s more than just dressage, and even more than just fitness, involved in successfully getting down centerline at a big show. Here’s what I’m up to this month.

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TUESDAY
Elvis, 6:30 a.m.: Sigh. Another week of excellence. Lauren arrives around 6:15 every morning, gets her things organized, and then grabs me. Obviously she starts with me because she likes to start her day on a high note with the Greatest Horse in the Universe.

Today, Lauren makes me loose in my back and sharp to her leg and hand. Tuesdays I always feel a little asleep at the switch—what can I say, I like my Monday day off—and I like to pretend like I’m untrained, just to keep her on her toes.

Puck, 7:15 a.m.: Oh boy, oh boy, oh boy, it’s Tuesday!! Another great week of adventure!! Mom always rides Elvis first, which is OK, because I like everyone. But then she rides ME, and it’s so great because it’s nice to feel like one of the big boys.

There was a period of time where Mom rode me last. She said it was because she had to talk herself into it. I don’t know what that means! But here we are, together, my favorite person and me. I’m pretty much the same every day, so Mom will probably do some work on bending and canter work today.

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