That Boring Thing We Do Before Cross Country

2009training2As a dressage trainer in Northern Virginia, I teach a lot of event riders. And I mean a LOT. Like my strictly dressage students, they run the gamut—from the grassroots to the international levels, beginner novice at the local combined test to Rolex. Some of them are better at hiding it, and some of them don’t even try, but without fail, they have one thing in common: before they start riding with me, virtually all of them think that dressage is that thing that they have to suffer through before they get to the fun stuff.

I, however, love dressage. No, really. I LOVE it. I dream about it. I’ve loved it since I was 10 years old. It’s not just my job; it’s my passion. It’s my life. And like any proper zealot, I am on a Mission from God: to convert the non-believers.

In a few days I’ll be co-teaching the YRAP (Young Rider Advancement Program) clinic with my friend Skyeler Voss at her Morningside Training Farm in The Plains, Va. If my adult event-rider students are hard sells, convincing youth riders that dressage is worth their time, much less fun, is like the Mission: Impossible. But I fear neither death nor bored teenagers. I will convince them.

Here’s how.

1. Convince them that they’re already doing dressage in their jump lessons. Because they are. There’s Big-D Dressage—the sport where, through diligent and systematic gymnastic training, you do half-passes and leg yields and canter pirouettes and tempi changes—and then there’s little d dressage, where diligent and systematic gymnastic training makes your horse patient, adjustable and elastic.

So when you, Pony Club Penny, are working on making sure your horse goes to the base of the jump instead of taking off from Neptune, that’s dressage. When you work on checking your horse two strides out, and then getting a quick answer after he lands, that’s dressage. When you work on straightness, alignment, balance, engagement? Dressage, dressage, dressage.

2. Show them how they’re more likely to win when they dedicate a little energy to dressage. Look at the score sheet from your last event, Pony Club Penny. Is there a transition you could have done one point better? Could your free walk have been one point looser? A circle one point rounder? Your centerline one point straighter? If those four things are true, you could have had a rail in hand. Every point better you do in dressage is seconds on cross country. Tiny efforts, tiny improvements, add up by a magnitude, and have real-world meaning on the other two phases.

3. Show them that dressage isn’t just boring circles. I think trainers who teach kids well are really creative about finding ways to keep things exciting. It’s a pretty adult concept to stay focused for 45 minutes on something so nuanced as bend, or connection, or trot-canter transitions. Snoozefest.

I give my kid riders really hard, technical, precise exercises, exercises with a tangible victory. Do a 10-meter circle. Count the number of steps your horse takes. Now do another one in that many steps, plus one. Then add another step. Then add another. Or on a 20-meter circle, do transitions between gaits every 10 steps. Now do a transition every eight steps. Now every six. Or make a six-loop serpentine. Now make seven loops. Now make eight. Now do them only quarterline to quarterline.

They won’t be bored.

4. Finally, call their bluff. You’re such a good rider that you don’t need to focus on your dressage, eh? Then I bet you are a better rider than any of these people: William Fox-Pitt, who gave an amazing clinic at Morningside a while back I had the pleasure of auditing, and who spent much of the first day picking apart every tiny nuance of some very exceptional riders’ flatwork. Ingrid Klimke, who’s made many international-caliber Grand Prix dressage horses. Michael Jung, who sits so beautifully he looks like he could be an Olympic dressage rider for any country in the world, including his own, who’ve won more team medals than any other. And on, and on, and on.

And think about this: because I am diligent and focused about my dressage, as long as I could make it around cross country without hyperventilating (which, admittedly, isn’t out of the realm of possibility), I’d probably beat them at an event. Seriously—a wimp-ass like me would probably kick your butt at novice, Pony Club Penny. Do you want to get beat by a wimp-ass? I didn’t think so.

Look out, kids of the YRAP program, and beyond. This zealot is coming for you, preaching the gospel of Dressage, bringing the word of Our Lord Half Halt to the masses. And you’re going to love it.

Lauren

 

 

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By |2017-02-27T07:41:49-05:00February 25th, 2015|COTH Posts|3 Comments

A Trainer’s Manifesto

1. Above all else, know this: we want you to be successful. We want this for you because that’s our job, of course—to produce successful students, at whatever “success” means to you. Whether winning the Olympics or just cantering two circles around without being afraid, we want you to Win at It. And if you doubt that we want you to win simply because its in our natures, consider this: happy clients are more likely to keep paying us, and more likely to tell others they should pay us. Happy clients = good business.

2. We do not do this for the money. While, yes, it is very possible to have a successful and profitable horse business, it involves 18 hour days, getting very dirty and sweaty, and getting on 1,200 pound toddlers that can maim and kill us simply by tripping and falling down, or by doing as their prey-animal natures intend and shying away from something. If profit was our driving motivation, we’d do something else.

3. When we make a suggestion to you—to have the vet see your horse, to keep your horse in training with us instead of just seeing you for lessons, to invest in a different saddle or different bit—it is because we want you to succeed, not because we are out to get your money. See #1 and #2. We will make way more money off you by keeping you happy and trucking along, and if we think your horse is uncomfortable with his tack, would benefit from more time with a professional rider on his back, or is unsound, we would like to remedy those situations so that you will stay happy and successful.

Read the rest at The Chronicle of the Horse!

By |2018-01-11T10:25:01-05:00January 30th, 2015|COTH Posts|0 Comments

December 2014 News

Big Success at USDF National Finals

Amanda and Mason, Third Place Second Level AA

We were so excited to qualify five horses for the USDF National Finals in Lexington, Kentucky. It was a long trip and a cold show, but Team Sprieser came, saw and conquered!

 

Here’s the final tally:

Amanda Wille & Mason, 3rd Place, Second Level Amateur Finals, plus three out of three wins in her Second and Third Level open classes

Kristin Hickey & Capital Call – 6th Place, Third Level Amateur Finals

Kathleen Johnson & Wonderland II S, First Level Amateur Finals, plus a Second Place in her First 3 warmup on a personal best of 69.355%

Ferris Yanney & Rocky Road Trip, Intermediate I Open Finals

Lauren Sprieser & Beverley Thomas’s Fiero, 4th Place Second Level Open Finals and 16th Place Third Level Open Finals

 

Year End Awards

We’re also excited to see so many of our students faring so well in our GMOs Year-End Awards. Final awards have yet to be announced, but here are where we stand with CDCTA’s Year End Standings:

 

Meg Melusen & Glenhaven Serengeti – 7th place Training Level Senior, 66.24; and 3rd Place Musical Freestyle, 71.22

Lauren Sprieser & Jamie Hedges’ Windhorse Ysis – 5th Place First Level Senior, 72.18

Lauren Sprieser & Judy Sprieser’s Dorian Gray – 9th Place First Level Senior, 69.07

Megan DeMichael & Agripin Rudy – 1st Place First Level Junior, 66.02
Megan DeMichael & Rama Shamonzada – 2nd Place First Level Junior, 63.71

Lauren Sprieser & Beverley Thomas’ Fiero – 1st Place Second Level Senior, 76.36; and 1st Place Third Level Senior, 74.75

Heather Richards & Hastening Cardoon – 4th Place Second Level Senior, 68.78; and 1st Place Musical Freestyle, 72.36

Kristin Counterman & Bellinger – 1st Place Fourth Level, 67.82

Lauren Sprieser & Stratocaster – 2nd Place Prix St. Georges, 69.38

 

Congrats to all, and enjoy a well-deserved break until 2015!

By |2015-05-13T21:21:49-04:00January 2nd, 2015|News & Events|1 Comment

Dressed In Overalls, Looking Like Work

I had an open working student job all summer, and then added another position that I needed to fill this fall. (Both filled, amen!) It meant that it was a summer of resumes and interviews, and of getting down to a science my hiring procures. And it is thus: someone emails me asking for more information about the job, and I write back with a description of a typical day, as well as with what other chores I expect my staff to do. And I also tell them what I offer for compensation.

My working student job does require lots of farm tasks, and long hours. It also involves riding, every day, and almost always in a lesson setting with me. It involves coming with me to clinics and shows, listening to the best of the best teach me and, whenever I can, my working students. It involves opportunities to show client horses whenever I can find them. It involves a day off every week (which is more than I get.) And it involves beautiful housing, fun fellow staff and wonderful clients, and a salary. At the end of the day, it involves being paid to improve one’s education and build one’s skills.

And about one out of every three tells me thanks, but no thanks. “I’m looking to be paid more,” or “I’m looking for a riding-and-teaching job only with no grooming or mucking or mowing,” or both.

Read the rest at The Chronicle of the Horse!

By |2018-01-11T10:29:11-05:00December 11th, 2014|COTH Posts|0 Comments

Push It

“You know,” my mother said, “I’m just starting to appreciate what hard work dressage is.”

I looked at her like she had three heads. We’ve been doing this a while; you’re only just now starting to appreciate this?

“No, I know it’s technically difficult; I know it requires great skill,” she clarified. “I mean the physical work of it all. I watch you professional riders, and it looks like you’re just sitting there. You make it look effortless. In reality, you’re working really physically hard.”

I’ve been riding for as long as I can remember, and riding dressage since I was 10, and I, too, didn’t really think about what physically demanding work it all is until my mother said that. Allison, fulfilling her role as Dressage Yoda, summed it up brilliantly: Bad riding looks like bad riding. But good riding looks like no riding.

Read the rest at The Chronicle of the Horse!

By |2018-01-11T10:36:06-05:00August 12th, 2013|COTH Posts|0 Comments
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